17 Feb 2025

Features Old Skool VansPartnership

Off the Wall and into the Pit: Sonic Revolt and the Vans Old Skool

off-the-wall-into-the-pit-sonic-revolt-vans-old-skool-spns
Atiba Jefferson

Long before the became a streetwear heavyweight, it was just a humble workhorse stitched together for skaters who needed shoes tough enough to survive the sun-bleached slumscape of Dogtown. No hype machine, no corporate blueprints, just a pair of waffle soles sticking to grip tape like your life depended on it. But somewhere between busted boards, punk rock and hip hop cyphers, the Old Skool became a scuffed up muse for the malcontent, leaving its mark on every curb, canvas and culture it collided with. With Vans launching the Old Skool Premium 'Music Collection' in celebration of the model’s raucous musical history, we’re looking back at how the Old Skool evolved from a Southern Californian skate staple to a global symbol of creative revolt.

off-the-wall-and-into-the-pit-sonic-revolt-and-the-vans-old-skool
Stacy Peralta by C.R. Stecyk III

Surf, Skate, Survive: Dogtown

During the mid-1970s, California was feeling the heat. The sunburnt state was wilting through one of its worst droughts of the century, leaving swimming pools empty and drainage ditches scorched. But while the extreme weather left water supplies spluttering, it also helped ignite a new phenomenon grazing knees and punishing soles across Southern California: skateboarding.

Born from the restless energy of wave-starved surf rats, skateboarding gained momentum as asphalt alchemists like the Zephyr Boys carved up empty pools, abandoned suburban yards and the concrete arteries of Dogtown, a crumbling seaside slum wedged between Santa Monica and Venice. By the tail end of the drought in 1977, Dogtown’s pavement beaters had a brand-new toy to crush –the Vans Style 36 that later became known as the Old Skool.

Served up to skaters with a waffle sole, the Old Skool’s diamond-shaped pattern clung to grip tape like thick Canadian maple syrup. Built with Vans’ signature vulcanised rubber sole, a process where rubber is heated with sulfur to create cross-links between polymer chains, the model provided skaters with lightweight grip, flexibility and durability. Unlike traditional cupsoles, which were heavier and required a longer break-in period, Vans’ approach delivered instant board feel straight out of the box. Up top, Vans utilised durable suede and canvas to forge a true curb-crushing workhorse, even going the extra mile by adding leather panels to protect against grip tape abrasion.

‘There was no leather around until ‘76 when we finally came up with the Old Skool,’ Steve Van Doren told us back in 2005. ‘Leather would never wear out. The outsole never wore out, the sidewall of the material would never wear out, and skaters could get it down to where there was just a little bit of fabric, but the sides would still be good.’ Finally, added padding around the collar provided crucial ankle insurance, while double stitching and reinforced toe caps made Style 36 battle-ready for Dogtown.

‘We were the perfect crash dummy test pilots,’ says Tony Alva, baron of the bowl and Z-Boys posterboy. ‘If you wanted to test the durability of a product, give it to the Z-Boys!’ Vans second ever skate shoe was also the first to feature the now-iconic Jazz stripe (originally known as Sidestripe), a rather divinatory doodle by Vans co-founder Paul Van Doren, as the Old Skool began dropping in on punk rock, hip hop and hardcore across Southern California.

Excel Seeking Refuge
Excel, Seeking Refuge

The Misfits Circus

By the late 1970s and early 1980s, California’s punk scene had ignited. Bands like Black Flag and Dead Kennedys delivered gnarly warts-and-all soundtracks that mirrored the iconoclastic spirit of skateboarding and its restless pioneers. These bands weren’t just making music for skaters, they were skaters themselves. ‘My friend and I, Ian MacKaye, grew up wanting to be like the guys from Skateboarder Magazine,’ says Henry Rollins, frontman of Black Flag. ‘The classic photos of Alva, Peralta and Jay Adams, we always wondered what shoes they were wearing and found out they were Vans and we could mail order them to D.C.’

The Old Skool was built to withstand punishment in the pool and the pit – 'It was birthed out of pure technical functionality,' says Vans Archivist Catherine Acosta – but punk rock’s godfathers also embraced the Old Skool for another simple reason. Like skateboarders, they were fiercely territorial, and Vans had been marking its turf out in California since the 1960s. Punk bands even featured local skate legends on their album covers. ‘The era was so raw,’ says Acosta. ‘Venice Beach band Excel even used an image of Tony Alva rocking one of the first colourways of the Vans Old Skool for their EP Seeking Refuge.’

This connection between skateboarding and music was amplified in the decades that followed, and the Vans Warped Tour played a pivotal role. Kicking off in the mid-90s, it became the largest travelling music festival in the United States. A rolling celebration of skate culture and music, the tour featured half-pipes, live demos from legends like Tony Hawk and star-studded lineups that included Pennywise, Bad Religion, NOFX and Dropkick Murphys.

Overcrook Grinds and 808s

Throughout the 1990s, skateboarding had also carved its place within America’s fledgling hip hop scene. Future legends like Gang Starr, and Mobb Deep provided the soundtrack for some of the era’s most iconic skate videos. This cultural collision deepened over time, with hip hop embracing skateboarding’s defiant energy and the Old Skool emerging as an unexpected streetwear staple.

Longtime grip tape groupies and their Billionaire Boys Club imprint helped infuse hip hop with skate aesthetics in the new millennium, while and his Los Angeles crew formalised the crossover with a series of Vans collaborations. These included playful pastel Old Skool silhouettes adorned with Odd Future’s donut logo and the indelible Vans checkerboard motif – a throwback to the kids customising their Old Skools in class. And let’s not forget A$AP Mob and somehow seamlessly styling the Old Skool alongside their proclivity for precipitous price tags or casually pulling up to the 2017 White House State Dinner in Vans checkerboard

Vans weren’t just laced, they formed part of hip hop’s lyrical lexicon. Earl Sweatshirt’s ‘Drop’ (‘Vans, we don’t rock Prada’), A$AP Rocky’s ‘Angels’ (‘Vans in my hand, had a plan to get richer’), and ‘Fish’ by Tyler, The Creator ('Vans on, feeling like a skater’) are just a few tracks that helped cement Vans and the Old Skool as enduring earworms in hip hop’s notoriously fickle fashion cycle.

The Vans Old Skool Premium Collection

Nearly five decades after its birth in California, the Vans Old Skool still retains the sole-mincing spirit of its raucous forebears. Music has always been at its core, and in 2025, Vans are cranking up the volume with the Premium Old Skool ‘Music Collection’.

The collection reimagines the Old Skool through the lens of three iconic musical eras. The Punk Capsule, inspired by the 1970s and 1980s, features bold leopard prints that channel the raw energy of punk and hardcore. The Warped Tour Capsule, paying tribute to the 1990s and 2000s, incorporates classic checkerboard and flame motifs reminiscent of the Vans Warped Tour era. Finally, the Hip Hop Capsule, representing the 2010s, showcases vibrant colourways with gum soles that reflects the underground hip-hop movement.

‘Since 1977, when the Old Skool first debuted, the style has organically grown as a footwear icon that captures Vans’ Off The Wall spirit while simultaneously becoming a wardrobe staple for many,’ says Diandre Fuentes, head designer at Vans. ‘That’s why we turned to music as a storytelling vehicle to speak about this evolution. The shoe has been organically adopted by so many iconoclasts and their fans throughout the years. And we hope that celebrating that history will inspire more folks to continue to push the envelope of style and culture alongside Vans.’

While the Old Skool Music Collection honours its deep-rooted sonic roots, it also receives a serious upgrade where it truly counts. Enter Sola Foam ADC, a next-gen insole tech that dials up cushioning for all-day comfort. The fit and build have also been fine-tuned for a smoother, more seamless ride, while sustainability takes centre stage, with biobased Sola Foam and regenerative volcanised rubber outsoles making this a greener take on the California classic. 'The naked eye won’t be able to catch all the tech we packed into the Premium Old Skool, but your feet will instantly feel the difference,’ says Fuentes.

After years of mangled decks, thrashed canvas, and cold-blooded sidewalk symphonies, the Vans Old Skool remains as resilient as ever. Kicked, dragged, duct-taped, it wears every scar like a battered badge of honour. Now it's back on its feet with the Old Skool Music Collection. The ‘Punk Capsule’ is available right now, whereas the 90s–2000s ‘Warped Tour Capsule’ lands on March 6 and the 2010s ‘Hip Hop Capsule’ follows on April 10.

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